MacKayla is a beautiful and pampered young woman, the product of a happy childhood in comfortable Ashford, Georgia.  Her world is comprised of doting parents and older sister, handsome young men at parties, clothes and shopping and the perfect pink nail polish.  Then the unthinkable happens; her sister travels to Dublin to study and is murdered a few months later.  Mac's world falls apart as she listens to Alina's last frantic phone message before her death, to a sister who's frightened and calling on Mac to help her.  Wracked by guilt she decides to go to Ireland to discover what really happened and to harangue the local police until they find the killer.

But Ireland is not what Mac expects.  Not only have the police proven to do everything they can, but Alina's life turns out to be full of mystery and oddities.  Clearly Alina had changed over the months and now Mac must delve into her life not only to solve the murder but to understand her sister's erratic behavior.  As she searches for clues, Mac begins to see strange things; a Dublin full of magic and mystery, strange creatures only she can see, vast deserted areas where people no longer live but nobody seems to notice, and powerul beings who can kill with a thought.  When Mac runs for her life she stumbles in to an amazing bookstore owned by the handsome and enigmatic Jericho Barrons, but his answers only cause the mysteries to deepen and Mac doesn't know where to turn to find her sister's killer.

Fans of Like Water for Chocolate and Joanne Harris may enjoyLa Cucina by Lily Prior.

His decision to take the leap and marry his cousin Emma Wedgwood is the subject of Deborah Heiligman's 2009 National Books Award finalist  Charles and Emma: the Darwin's Leap of Faith..

Darwin was a pragmatist, an agnostic, and a scientist. Emma was his intellectual match and yet devoutly religious. Theirs was a true love story--a match of wits and wills, of science and religion. Despite her reservations about Darwin's theories, Emma helped edit her husband's work.She honestly feared for his soul and at the same time bore him ten children, three of whom died before the age of ten.

Heiligman is a skilled nonfiction writer. The Victorian Era is brought to vivid life through the couple's letters and other primary sources. This setting is the backdrop for one of the great marriages of history. Although originally published for the teen market, Charles and Emma will equally engage adult readers, who will know something more about the ups-and-downs of married life than its intended audience.  

It is a story that might have turned out quite differently if Darwin had decided to settle for the company of that dog after all. 

There were a couple of things that really struck me about Lysistrata. First of all, the various translations of this play (and, presumably all of the ancient Greek plays) differ greatly in terms of language. I read two versions: one was a personal copy translated by Benjamin Bickley Rogers from 1955 and the other was a KCLS copy from 1991 translated by Nicholas Rudall. The gist of the material is the same in both versions but on a line-by-line basis they differed greatly. For laughs, some of my friends did a reading of a few pages from the play, using at least three different translations. Though there was great variation in the verbage used, the meaning and the humor came through all the same. Here's the moral: if you don't like one translation, try another.

Another interesting facet of Lysistrata is, well, it's steaminess. Believe-you-me, those Greeks weren't all contemplating the ideal plane and that comes through loud-and-clear in this play. There are numerous instances of double-entendres, course language, and sexual explicitness. Clearly, Aristophanes wasn't an elitist; he was obviously aiming his work at "the masses" and he succeeded gloriously, for I found myself able to relate to the general tenor of this play in a way that I could not with other "classic" works. In a word, Lysistrata is universal.

So if you're in the mood for some burlesque that really makes you think, don't be afraid to check out Lysistrata!

In  Death at La Fenice, it's Brunetti's task to find out, and he's an expert at detection.  At first there appears to be no possible motive, but as the investigation deepens, an array of secrets, rivalries, and intrigue is uncovered.  Was it the assistant director, hoping to eliminate a rival?  Or the soprano, who's hiding a secret only Wellauer knew, that could destroy her career?   It couldn't be his young and beautiful wife, apparently devastated by his death.  And what about the rumors that Wellauer, a German, was a Nazi sympathizer during WWII, a strong motivation for revenge?

As Brunetti investigates, we meet a unique cast of characters:  his vain, insufferable boss, Vice Questore Patta; faded opera star Santina, now living in cruel poverty; his lovely wife Paola, a daughter of Venice's aristocracy.  We come to know his family, and savor the delectable extended meals they share at mid-day.  But the most distinctive character is Venice.  As Brunetti prowls the canals, calles, piazzas, and cafes of his native town, we acquaint ourselves with this ancient and mysterious floating city.

Donna Leon has woven together a fascinating tale that's sure to please lovers of opera, Italian life, and detective fiction. This is the first novel of the Guido Brunetti mysteries; her most recent installment, About Face, is 18th in the series.  Throughout these novels, Commissario Brunetti exposes the seamier side of life in Venice, battling corruption as he brings the truth to light.

Break Into Fiction by multipublished authors Mary Buckham and Diana Love uses popular films to demonstrate the points of each technique they discuss. They've also provided templates for important story elements such as developing a story premise, creating believeable, motivated characters, strengthening conflict, and raising the stakes.

Many writers struggle with the beginning of a story, not knowing where to start. When facing the blank page, it can be a challenge. These successful authors suggest that the frustration can often be traced to a lack of preparation. If you have insight into the goals and motivation of your main character, it can be easier to get the words on the page. Taking the time to understand the story arc, how conflict must be escalated and the story question answered can help the beginning writer move beyond fear and into the flow of the narrative.

If you are interested in learning more about Power Plotting, NaNoWriMo programs offered throughout the library system will include workshops with Mary Buckham.

It is easy to find ideas on home décor and stores are relentless in their push to sell you the latest thing that you absolutely need for your home. Create the Space You Deserve takes a different  approach  by tapping into the emotional process of designing space. This book inspired me to look at my living space with a fresh eye. Your living area can be a powerful expression of who you are and in these hard economic times I find myself in the nesting mode more than ever. For me it is the little things that tend to make me happiest...like sitting at home in a comfy chair, sipping tea and watching the clouds.

Considered to be the most prolific mathematician in history, Erdös co-authored nearly 1500 scientific papers.  During most of his adult life, he traveled from university to university, or conference to conference, living out of two suitcases.  He never owned other possessions, did not have a home, and gave away money he didn't need.  Often, he would simply show up on a colleague's doorstep unannounced, spending a few days or weeks solving research problems before moving on to another city.  

Hoffman's interviews in the math world uncovered some great stories.  Later in his life, Erdös apparently needed an operation to correct his dimming vision, but delayed surgery because he was reluctant to lose precious work time.  He finally agreed to the procedure only when he mistakenly believed that he would be able to work during surgery.

In honor of his work and life, mathematicians humorously developed the Erdös number.  Erdös himself was awarded the number 0.  Erdös co-authors are awarded the number 1.  Co-authors of co-authors, the number 2.  And so on.  A low Erdös number is considered to be a great distinction (Steven Hawking, Bill Gates, Noam Chomsky and J. Robert Oppenheimer are 4's; Einstein a 2).  Hank Aaron jokingly has a 1 after co-signing a baseball with Erdös.  And, of course, a few mathematicians have tried to auction their Erdös numbers on Ebay.

In 1946 Mr. Nichols longed to escape post-war London, so he went looking for a small Georgian House, not too far from the city, with about 5 acres of land where he could create a garden.  He found Merry Hall.  It fit all his requirements, and he bought it, even though the Georgian lines of the building had been ruined by remodeling and additions, the interior was in shambles, the five acres were mostly weeds and nettles, and the gardener who came with the house was devoted to all the mistakes of the former owner.  With the help of his incredibly efficient factotum, Gaskin; the reluctant but expert aid of the gardener; the company of his cats, One and Four; and the occasional interference of neighbors, he turned Merry Hall into his dream house and garden.  He tells the story with classic deadpan British humor.

You don't have to be a gardener to enjoy this book.  (My favorite garden activity is to recline gracefully in the shade on a hot day with a cool drink and a good book.)  You do need to be prepared for strong prejudices, mostly about plants, but also about women and what Nichols considers the lower classes, and accept that he was a creature of different times.  He brings the best of those times alive most enchantingly.

Differences aside, Otto and his sister decide to embark on a road trip from New York to North Dakota to settle their parents' estate. His flakey sister bails out and sends her friend, Volya Rinpoche, a Buddhist monk, in her place.

Initially, Otto finds himself being irritated and impatient with his new Zen passenger. Otto is conflicted between his comfortable existence and the potential reality of the universe. He's somewhat embarrassed by monk's outfits and habits, yet he finds himself being drawn into Rinpoche's simple teachings.

Throughout simple philosophical discourse, an unlikely friendship develops. This story is whimsical, quirky and made me smile. Breakfast with Buddha is reminiscent of Zen and the Art of Motorcycle Maintenance, with parallels on morals, life purpose and the wonderlust of the road trip. I found Breakfast to be more accessible and easier to digest. Uplifting and charming, this book puts a positive spin on the human race.

I started reading the book with some trepidation, because I couldn't help remembering my mixed experiences with historical fiction about famous painters. For example, I had always loved Vermeer's paintings until I read the historical novel Girl with a Pearl Earring by Tracy Chevalier, which made me wonder exactly what kind of man Vermeer really was. On the other hand, I liked the book Lydia Cassatt Reading the Morning Paper by Harriet Scott Chessman, which I thought gave me some insight into Mary Cassatt's life and also the world of the impressionists. My book group decided to read Luncheon of the Boating Party, though, so I decided to give it a chance, and I'm glad I did. I listened to it on CD, which gave me the advantage of hearing the correct pronunciation of French words and names. It had the disadvantage, however, that I kept getting the numerous characters confused. Also, I constantly wanted to look at the painting itself as it started to take shape in the narrative. I solved this problem by printing a copy of the Wikipedia article about the painting from the Internet, which included an image. So my suggestion is to have the book and the CD version both on hand for maximum clarity and enjoyment.

I found myself enthralled with the book. I felt like I was immersed in French life in 1880, during La Vie Moderne, an exciting time of social change.  We tend to think we are living in modern times and that all previous times were part of ancient history, but Vreeland managed to capture that time in history and make it feel immediate to me.

A historical novel like this one can be used as a starting point to exploring history and ideas through other nonfiction books and complementary experiences. At KCLS we have one of the books that Vreeland used to research her book: Impressionists on the Seine: A Celebration of Renoir's Luncheon of the Boating Party by Eliza E. Rathbone et al., which is a great source for more background information and pictures. 

I did not grow up in England, rather here in Maple Valley, but I did meet my English husband at a Dungeons and Dragons party, and I feel a strong connection to this book on a few levels.  I'm an anglophile and a geek and rather proud of it now, although it caused pain earlier in life when I didn't fit in, so I can vividly relate to this biography of another fantasy misfit.

Growing up in England, Mark Barrocliffe was smitten at the age of twelve by the allure of the new fantasy role-playing game, Dungeons and Dragons, a game in which you can create the character of your dreams and destroy the enemies of your nightmares, but almost assures you'll never get a date.  The enthusiastic boy immersed himself in the worlds of elves and orcs, wizards and warriors, of magic light and dark; of gaming sessions that would last anywhere from hours to days and where the final goals were to kill the Goblin King, save the fair maiden, and loot an amazing Frost Wand, to be used in the next game.  Barrowcliffe speaks with uncompromising clarity of the choices he made as a teen and why, of the odd, lonely, and equally strange young men he met through gaming (very few girls play), and the effect such a youth had on later life and his relationships.  The game consumed him to the point it drove his parents to distraction, drove some real friends away, and surrounded Barrowcliffe with other slightly broken people with the same goals; occasionally cruel boys who'd sit in a damp basement for hours eating junk food and rolling twelve sided dice, rather than going on a beach holiday with friends.  If you've lived the nerdy life of fantasy role-playing before it was popular, have been in situations where you haven't fit in but long to, or are just curious about that crazy D & D you've always heard about, this book will lure you into one young man's world of obsession and adventure, and what some might call his subsequent escape.

This sentence roughly encapsulates Ryszard Kapuscinski's assessment of the life of the average African in his fascinating book, The Shadow of the Sun. Kapuscinski was Poland's first-ever African correspondent, arriving in 1957 and returning many times over the next 40 years. During this time, his travels took him to virtually every corner of the African continent including Mauritania, Mali, Senegal, Nigeria, Cameroon, Ethiopia, Somalia, Rwanda, Uganda, Tanzania, South Africa, and many other locations in between. Contemptuous of Europeans that sequestered themselves in affluent whites-only enclaves, Kapuscinski immersed himself in the real Africa, living in clay huts in the country and squalid tenements in the cities. What he saw was not pretty and the essays in this book make no effort to soften the blow. Everywhere he went he encountered scorching heat, disease, starvation, war, corruption, and the sort of utter destitution that is unimaginable to even the poorest member of a European or American society.

Yet for all this, The Shadow of the Sun is far from being an onerous, depressing read. Kapuscinski repeatedly focuses on the Africans' love of togetherness, the caretaking role of the clan, their quickness to laughter, their pervasive spirituality, and many other attributes that have enabled them to survive in an environment that is in so many ways harsh and unforgiving. But this book does not idealize Africans, just as it refrains from condemning Europeans or Americans. Yes, Kapuscinski gives a thorough account of the destructive effects of colonialism and the slave trade, but he also brings his journalistic skills to the fore in his detailed reports of oppression, brutality and mass-murder amongst Africans themselves in places like Liberia, Uganda and Rwanda. In short, his approach is objective and balanced. And beyond this, he clearly respected and felt compassion for the average African. Despite their hardships and their suffering and against all odds, they survive. 

So if you're in the mood for an insightful look into the reality of African life, check out Ryszard Kapuscinski's The Shadow of the Sun!